Song of the Day 9/17: Carroll O’Connor and Jean Stapleton, “Those Were the Days”

Filed in Arts and Entertainment, National by on September 17, 2020

So I’m in the shower the other day and suddenly the theme song to “All in the Family” pops into my head, and it occurs to me that all the complaints Archie Bunker listed — welfare recipients, gender fluidity, crappy modern music — are pretty much the same complaints conservatives are whinging about today. They’re still fighting the social changes of the ’60s, which we now label the culture wars.

“Those Were the Days” was the work of the songwriting team of Lee Adams and Charles Strouse, the same guys who wrote “Bye Bye Birdie” for Broadway. As is often the case with TV theme songs, Adams wrote more lyrics than the ones TV viewers were intimately familiar with –“All in the Family” was the No. 1 show in the country for five consecutive years from 1971 to 1976. They were heard once the song was released as a single in 1972, when it reached No. 30 on the Adult Contemporary chart:

People seemed to be content.
Fifty dollars paid the rent.
Freaks were in a circus tent.
Those were the days.

Take a little Sunday spin,
go to watch the Dodgers win.
Have yourself a dandy day that cost you under a fin.

Hair was short and skirts were long.
Kate Smith really sold a song.
I don’t know just what went wrong.
Those were the days.

The closing theme, “Remembering You,” written by pianist Roger Kellaway, was an instrumental, but O’Connor liked it so much he asked Kellaway if he could write lyrics for it. He debuted it on Sonny and Cher’s variety show in 1971. Listen to the applause when he’s introduced and you’ll get some idea of what a sensation “All in the Family” was.

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  1. bamboozer says:

    It’s a peon to white supremacy.

  2. Jim from South Jersey says:

    This January will be the 50th anniversary of the premiere of “All In The Family”. It didn’t do that great at first. In fact the first time I heard about the show was at Hollywood Stars Night at Dodger Stadium in July, 1971 prior to a Dodgers game. In a skit the show cast was in a front row box and Carroll O’Conner as Archie Bunker heads out on the field to argue with celebrity umpire Jack Lemmon. They call the LAPD and the Adam-12 car heads out on the field with the show’s stars. Officers Reed and Malloy take Jack Lemmon into custody and Archie is the new umpire. The show needed all the publicity it could get as it was nearly cancelled.

    A few months later the show took off and a year later Archie Bunker was a household name. Originally Archie was depicted as a despicible bigot but evolved into a lovable bigot.