Nathan Arizona had to know that this one was coming:
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Didn’t predict it but glad to see it. Sondheim plus the great Madeline Kahn. Nobody better than Sondheim at undercutting sentimentality. Don’t play it at your daughter’s wedding. Well, maybe just after.
“Nobody better than Sondheim at undercutting sentimentality. ”
Undercutting sentimentality in musical theater. Isn’t that like undercutting form and color in painting?
https://youtu.be/bYEFHbT2fcg
Seurat still used color and form. Would that Sondheim employed narrative and melody.
“He’s for a jig or tale of bawdry, or he sleeps.” The Bard. Imagine the Bard with a smiley face.
I never said that of Sondheim, whose biography should be titled “Rebel Without a Tune.”
But I would use Polonius’ statement as my response to Shakespeare in general: “This is too long.”
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Didn’t predict it but glad to see it. Sondheim plus the great Madeline Kahn. Nobody better than Sondheim at undercutting sentimentality. Don’t play it at your daughter’s wedding. Well, maybe just after.
“Nobody better than Sondheim at undercutting sentimentality. ”
Undercutting sentimentality in musical theater. Isn’t that like undercutting form and color in painting?
https://youtu.be/bYEFHbT2fcg
Seurat still used color and form. Would that Sondheim employed narrative and melody.
“He’s for a jig or tale of bawdry, or he sleeps.” The Bard. Imagine the Bard with a smiley face.
I never said that of Sondheim, whose biography should be titled “Rebel Without a Tune.”
But I would use Polonius’ statement as my response to Shakespeare in general: “This is too long.”