‘Bulo’s Fave Tunes: October 2024
A surprisingly superb selection this month. ‘Surprising’ in that I have a rule. It’s a stupid rule, but a rule nonetheless: If a song comes out, but is on an album that will not be released until the following year, I don’t include it. I will say that January and February of 2025 sound real promising. But, I digress. You’re here for the tunes, I’ve got ’em:
Should’ve had this song on here a couple of months. It’s grown on me. A lot. Love the laconic vocal. And the laconic horns:
Not sure any band has put out more good songs this year than these guys. Nathan’s favorite?:
I prefer takes on Christianity to come from drag queens, especially one who calls they/themself (?) ‘Flamy Grant‘:
Charles Mingus never wrote a simple tune. Samara Joy writes lyrics for this one, has an otherworldly voice, then adds a kickin’ band to bring it home. Pretty awesome:
Definitely one of the best bands out there. “I’m the God of everything else, you’re the God of losing me”:
How good can a song possibly be about a character in a video game? This good:
Tyler, The Creator:
You know her, you love her, and if this is a one-off, it’s an incredible one-off:
Yep, this month features mostly songs by women. Guys, time to up your game. This one, at least is a duet:
I really liked two songs by this band. Consulted with Nathan Arizona to find out which one he liked best. We agreed:
A singular guitarist. Now with collaborators!:
Ive got a question. Are we in a stage where it is just not possible for anyone to do anything new? I don’t mean that to disparage some very fine songs on this list but I feel like I’ve heard them all before.
I mean are we just at the end of a iteration and (since Kraftwerk and the swapping out of guitars and drums for electronic 1s and zeros) is everything just some version of a little less (X) and a little more (Y). Is music slouching towards Bethlehem waiting for whatever is next to be born?
Agreed, no new trails blazed here. Was at band practice and we all agreed: What we get today is “derivative” and tends to sound like everybody else, with no iconoclasts to be had. Waiting for the next blast of the new and different, hoping it will not be dependent on acoustic guitar. But I did like Ezra Collective.
Really? I heard a LOT of great new sounds this month.
Samara Joy? Tyler, The Creator?
Plus, good songs, while they may be informed by music that has gone before, are not derivative. Porridge Radio, derivative? Flamy Grant, derivative? Yasmin Williams, derivative?
Whatever, everyone’s welcome to their opinion. If I felt that I was posting a list of negligible songs that were more of the same, I’d stop posting them.
Everyone should check out the gorgeous collaboration between Madison Cunningham and Andrew Bird, “Cunningham Bird”. It’s a cover album of Stevie Nicks and Lindsey Buckingham’s album before Fleetwood Mac, that isn’t out for distribution (but you can find the original on Youtube). The whole of it is only 30 minutes, but “Crying in the Night” is a good start.